1 Introduction <div>Sarah Whatley, Rosamaria K. Cisneros, and Amalia Sabiescu</div><div>Part I Critical and Reflexive Engagements </div><div>2 Considering the Relationship Between Digitally Mediated</div><div>Audience Engagement and the Dance-Making Process </div><div>Laura Griffiths and Ben Walmsley</div><div>3 Performing the Uncanny: Psychoanalysis, Aesthetics</div><div>and the Digital Double </div><div>Suparna Banerjee</div><div>4 The Implications of Technology in Dance: A Dancer’s</div><div>Perspective of Moving in Media-Rich</div><div>Environments </div><div>Kerry Francksen</div><div>Part II Space, Time and Memory: Digital Interventions </div><div>5 Bark and Butterflies: Redeeming the Past—Digital</div><div>Interventions into Post-Memory </div><div>Adrian Palka</div><div>6 Chorotopical Art: Mediating the Atmospheres of Cultural</div><div>Sites to Create a New Spatial Logic </div><div>Liana Psarologaki</div><div>7 (Ukulele) Strings of Knowledge: Tactile and Digital</div><div>Interactivity with Archives and Ethnography </div><div>Rachel M. Ward and Kate Hennessy</div><div>8 Open State: Event Spaces of Infinite Perspective </div><div>Adam Benjamin and Mathew Emmett</div><div>Part III Preserving the Intangible: New Tools and</div><div>Documentation Strategies </div><div>9 Demystifying or Destroying? Cultural Heritage</div><div>and Tradition in Playing the Tabla, and Developing</div><div>the Electronic Tabla and Digital Notation System </div><div>Jerri Daboo</div><div>10 Digital Environments for Intercultural Content: A Case</div><div>Study on the Asian Shakespeare Intercultural Archive </div><div>Alvin Eng Hui Lim</div><div>11 Mediating and Visualizing Paxton’s Material for</div><div>the Spine </div><div>Rebecca Stancliffe</div><div>12 In/Tangible: The Duality of Video Documentation</div><div>in Dance </div><div>Heather Young Reed</div><div>13 Kapturing Kung Fu: Future Proofing the Hong Kong</div><div>Martial Arts Living Archive </div><div>Hing Chao, Matt Delbridge, Sarah Kenderdine,</div><div>Lydia Nicholson, and Jeffrey Shaw</div><div>Part IV Authorship, Ownership and Legal Aspects </div><div>14 Presenting the Intangible: Curating the Intangible</div><div>Cultural Heritage in the Museum Practice—Legal Aspects </div><div>Teodora Konach</div><div>15 Artworks-Spawning-Artworks: Trans-Disciplinary</div><div>Approaches to Artistic Spin-Offs and Evolution</div><div>in the Dance and Digital Context </div><div>Jordan Beth Vincent, Caitlin Vincent, Kim Vincs,</div><div>Scott deLahunta, and John McCormick</div><div>16 Preservation and Paradox: Choreographic Authorship</div><div>in the Digital Sphere </div><div>Hetty Blades</div><div>17 Dance and Law: From Indifference to Rapport </div><div>Charlotte Waelde</div><div>Index </div>
