Introduction; Damien Mahiet, Mark Ferraguto, and Rebekah Ahrendt PART I: REPRESENTATION 1. Concealed Music in Early Modern Diplomatic Ceremonial; Arne Spohr 2. Serenatas in the Service of Diplomacy in Baroque Venice; Giulia Giovani 3. The Leipzig Gewandhaus Orchestra and the Wages of Diplomatic Service; Jonathan Yaeger 4. Conflicting Dreams of Global Harmony in US-PRC Silk Road Diplomacy; Harm Langenkamp PART II: MEDIATION 5. Constructing Universality in Early Modern French Treatises on Music and Dance; Ellen R. Welch 6. Perpetual Peace and the Idea of "Concert" in Eighteenth-Century Thought; Frédéric Ramel 7. "Jazz—Made in Germany" and the Transatlantic Beginnings of Jazz Diplomacy; Mario Dunkel 8. Music from the Embassy to the Underground in a Post-Soviet Belarus; M. Paula Survilla PART III: NEGOTIATION 9. The Princesse des Ursins, Loyal Subject of the King of France and Foreign Princess in Rome; Anne-Madeleine Goulet (translated by Rebekah Ahrendt) 10. Haitian Djaz Diplomacy and theCultural Politics of Musical Collaboration; Melvin L. Butler 11. The US Department of State's "Hip Hop Diplomacy" in Morocco; Kendra Salois 12. Opening up Thinking Space for Improvised Collaborative Public Diplomacy; Willow Williamson Afterword: Music's Powers; Danielle Fosler-Lussier