Twenty-First Century Fiction

1. Introduction: What Happens Now; Siân Adiseshiah and Rupert Hildyard 2. Such a Thing as Avant Garde Has Ceased to Exist: The Hidden Legacies of the British Experimental Novel; Jenny Hodgson 3. Tough Shit Erich Auerbach: Contingency and Estrangement in David Peace's Occupied City and Kate Summerscale's The Suspicions of Mr Whicher ; Phil Redpath  4. When the Two Sevens Clash: David Peace's Nineteen Seventy-Seven as 'Occult History'; Dean Lockwood 5. Remaindered Books: Glen Duncan's Twenty-First-Century Novels; Alice Bennett 6. 'The journey creates us. We become the frontiers we cross': Stepping Across Lines in Salman Rushdie's Shalimar the Clown ; Daniel O'Gorman 7. 'The Private Rooms and Public Haunts': Theatricality and the City of London in Michel Faber's The Crimson Petal and the White ; Lin Pettersson  8. 'This is my Opa. Do you remember him killing the Jews?': Rachel Seiffert's ' Micha ' and the Transgenerational Haunting of a Silenced Past; María Jesús Martínez-Alfaro 9. A Voice without a Name: Gothic Homelessness in Ali Smith's Hotel World and Trezza Azzopardi's Remember Me ; Emily Horton 10. Ghosts of Postmodernity – Spectral Epistemology and Haunting in Hilary Mantel's Fludd and Beyond Black ; Wolfgang Funk 11. Intimations of Immortality: Semiologies of Ageing and the Lineaments of Eternity in Contemporary Prose; Lucy Perry 12. Crosshatching: Boundary Crossing in the Post-millennial British Boom; Jude Roberts 13. 'You just know when the world is about to break apart': Utopia, Dystopia, and New Global Uncertainties in Sarah Hall's The Carhullan Army ; Iain Robinson 14. Finding the Right Kind of Attention: Dystopia and Transcendence in John Burnside's Glister; Florian Niedlich Introduction: Glister, Romantic Thought and the Religious Turn Dystopia and Transcendence Conclusion: A Form of Reading