PART I <br>Introduction to Part I - The Analysis of the Television Product; Roberta Piazza and Louann Haarman<br>1. Promotional Videos: What Do They Tell Us About the Value of News?; Monika Bednarek and Helen Caple<br>2. Evaluation as Positioning in English Language World News Channels; Alison Duguid<br>3. Overweight and Obesity in Television News; Catriona Bonfiglioli<br>4. Camera Angles in Television News: Designed to Communicate?; Scott Koga-Browes<br>5. The Representation of Travellers in Television Documentaries: Dispelling Stigma While Dealing with Infotainment Demands; Roberta Piazza <br>6. Television, Collective Memory and the Commemoration Cure; Nuria Lorenzo-Dus<br>7. MasterChef: Cooking Competition across Cultures; Louann Haarman <br>PART II<br>Introduction to Part II - What''s Behind the Screen?; Hilary Bruffell and Anne Caborn<br>8. What Makes the News Newsworthy: Position and Priority as Considerations in the Channel 4 News Room: Jon Snow, C4<br>9. News as Political Commitment and Observations on Obesity; Cathy Newman, C4<br>10. How Audiences Shape News Angles; Luke Chilton, News Desk, This Morning<br>11. It''s Not a Disaster if it Doesn''t Make the News - The Critical Nature of News Positioning; Clive Jones, DEC <br>12. Commercial Imperatives and their Impact on the Values of the Contemporary Documentary and Reality Formats;Peter Hamilton, documentary consultant<br>13. Documentary Making - A Commercial and Public Broadcaster Perspective;Olivia Lichtenstein, documentary maker<br>14. Competition and Cookery in a Global Cultural Format;Karen Ross and Doug Wood of Shine TV<br>15. The Morals of the Money Shot - The Journalistic and Personal Perspective on Creating a Porn Documentary for Channel 4; Martin Daubney, journalist<br>16. Authenticity in Documentary Making;Anya Sitaram, Rockhopper TV<br>17. Documentary and Reality TV as Modern Fairytales - An Odyssey in Character, Content and Commissioning;Jan Euden and Mick Sawyer, Reeljem Productions<br>18. TheInterplay between Conflict and Character in Drama and its Possible Influences on the Construction of Reality Programming; Harry Duffin, author and scriptwriter <br>