Performance Cultures as Epistemic Cultures, Volume II

• This book investigates performance cultures as diverse cultures of doing, feeling and thinking that enable performance-makers and spectators to continuously (re)generate particular ways of knowing, knowledges and epistemologies.

• Would be recommended reading for researchers, students and practitioners of theater, performance and dance across the globe.

• The closest competitors do not investigate performance cultures—in their global plurality and diversity—as distinctive environments of knowledge practice.