Chanteuse in the City
The Realist Singer in French Film
Samenvatting
Presents a genealogy of realist performance through analysis of the music hall careers and film roles of Mistinguett, Josephine Baker, Frehel, and Damia. This book offers a fresh interpretation of 1930s French cinema, emphasizing its love affair with popular song and its close connections to the music hall and the cafe-concert.

