Performance in the Borderlands

Acknowledgements Notes on the Contributors Introduction: Border Moves; R.H.Rivera-Servera & H.Young Playing the Fence, Listening to the Line: Sound, Sound Art, and Acoustic Politics at the US-Mexico Border; J.Kun Transnational Cultural Translations and the Meaning of Danzón across Borders; A.Madrid 'Havana Isn't Waiting: Staging Travel during Cuba's Special Period; P.Ybarra 'Architecture is not Justice': Seeing Guantánamo Bay; P.Anderson Crossing Hispaniola: Cultural Erotics at the Haitian-Dominican Borderlands; R.H.Rivera-Servera 'The Magic of Song!': John Lomax, Huddie Ledbetter, and the Staging of Circulation; P.A.McGinley Border Intellectual: Performing Identity at the Crossroads; E.P.Johnson Calling off the Border Patrol; R.Knowles Transborder Dance: Choreographies by Minerva Tapia; J.M.Valenzuela The Epistemology of the Minor Native in Transcolonial Border Zones; E.-B.Lim Remembering Genocide within Our Borders: Trail of Tears& US Museum Culture; H.Young Poor Enrique andPoor María, Or, the Political Economy of Suffering in Two Migrant Melodramas; A.E.Puga New Tropicalism: Performance on the Shifting Borders of Caribbean Disappearance; L.Fiet Performance in the Borderlands Roundtable;  P.Anderson, L.Fiet, R.Knowles, E.-B.Lim, P.A.McGinley, A.E.Puga, R.H.Rivera-Servera, P.Ybarra &  H.Young Index