Acknowledgements Introduction: The Politics of Reading Greene PART I: FROM FAILED NOVELIST TO POPULAR WRITER Institutional and Critical Priorities at the Beginning of Graham Greene's Career The Failed Novelist Readers and Generic Processes in Stamboul Train Cinema as a Strategy of Containment PART II: FROM POPULAR WRITER TO AUTHOR Cinematic Evasions After Stamboul Train Greene and Genre Strategic Moves: Genres, Brand, Authors and The Third Man Amateurs and Professionals, Auteurs and Intellectuals PART III: FROM AUTHOR TO CONTESTED AUTHORITY Auteurism and the Study of Greene Our Man in Havana and Auteurism PART IV: THE POLEMICAL BATTLEFIELD Greene and the Polemics of Canonical Reading Depopulating the Common: Reading The End of the Affair Liberal Commitment: Reading The Quiet American Appropriating Greene: Re-reading The End of the Affair and The Quiet American Conclusion: The Problem of a 'Better Case' Index