Ear Training, Revised

<H2>Preface<H2>Unit 1<H3>Melody 1A Melodic Dictation: Scalewise (Conjunct Diatonic) Melodies<H3>Melody 1B Mode Identification: Major and Harmonic Minor Scales<H3>Melody 1C Scale Degree Identification: Single Notes<H3>Melody 1D Intervals: m2, M2, m3, M3<H3>Melody 1E Models and Embellishments: Short Melodic Structures<H3>Harmony 1A Chord Function Identification: I and V Triads<H3>Harmony 1B Chords in Music Literature: I and V Triads<H3>Harmony 1C Harmonic Rhythm<H3>Harmony 1D Triad Position Identification: Major and Minor Triads<H3>Harmony 1E Chord Quality Identification: Major and Minor Triads<H3>Harmony 1F Triad Factors in the Soprano<H3>Rhythm 1A Rhythmic Dictation: Rhythm Including Half- Beat Values<H2>Unit 2<H3>Melody 2A Melodic Dictation: Melodies Using m2, M2, m3, M3<H3>Melody 2B Mode Identification: Major and Three Forms of the Minor Scale<H3>Melody 2C Scale Degree Identification: Two Notes<H3>Melody 2D New Intervals: P5 and P4<H3>Melody 2E Models and Embellishments: Descending Thirds in Two Voices<H3>Harmony 2A Chord Function Identification: I, IV, and V Triads<H3>Harmony 2B Chords in Music Literature: I, IV, and V Triads<H3>Harmony 2C Nonharmonic Tones: Introduction<H3>Harmony 2D Triad Position Identification: Major and Minor Triads<H3>Harmony 2E Chord Quality Identification: Major, Minor and Diminished Triads<H3>Harmony 2F Triad Factors in the Soprano and Bass<H3>Rhythm 2A Rhythmic Dictation: Duple and Triple Subdivisions of the Beat<H2>Unit 3<H3>Melody 3A Melodic Dictation: Melodies Using m2, M2, m3, M3, P4, P5<H3>Melody 3B Error Detection: Scalewise Melodies with Errors<H3>Melody 3C Scale Degree Identification: Three Notes<H3>Melody 3D Interval Review: m2, M2, m3, M3, P4, P5<H3>Melody 3E Models and Embellishments: Simple Melodic Structures<H3>Harmony 3A Chord Function Identification: I, ii, and V Triads<H3>Harmony 3B Chords in Music Literature: I, ii, and V Triads<H3>Harmony 3C Cadence Identification: Cadence Types<H3>Harmony 3D Harmonic Dictation: I(i), IV(iv), and V Triads in Four-Part Phrases<H3>Harmony 3E Chord Quality Identification: Writing Major, Minor, Diminished, and Augmented Triads<H3>Rhythm 3A Rhythmic Dictation: Rhythmic Figures Including Half-Beat Values<H3>Rhythm 3B Error Detection: Dotted Rhythm Values<H2>Unit 4<H3>Melody 4A Melodic Dictation: Scalewise Melodies and Arpeggiations of I and V<H3>Melody 4B Error Detection: Errors in Melodies Outlining the I, IV, and V Triads<H3>Melody 4C Scale Degree Identification: Three Notes<H3>Melody 4D New Intervals: m6, M6<H3>Melody 4E Models and Embellishments: 5-6 Patterns in Two Voices<H3>Harmony 4A Chord Function Identification: I, ii, IV, and V Triads<H3>Harmony 4B Chords in Music Literature: I, ii, IV, and V Triads<H3>Harmony 4C Nonharmonic Tones: Two-Voice Examples<H3>Harmony 4D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases<H3>Harmony 4E Chord Quality Identification: Major, Minor, Diminished, and Augmented Triads<H3>Rhythm 4A Rhythmic Dictation: Half-Beat Values in Syncopation<H3>Rhythm 4B Error Detection: Half-Beat Values in Syncopation<H2>Unit 5<H3>Melody 5A Melodic Dictation: Melodies Outlining the I, IV, V (and vii06) Triads<H3>Melody 5B Error Detection: Excerpts from Music Literature<H3>Melody 5C Melodic Figure Identification: Sequence and Rhythmic Repetition <H3>Melody 5D New Interval: The Tritone<H3>Melody 5E Models and Embellishments: Descending 6ths in Two Voices<H3>Harmony 5A Chord Function Identification: I(i), ii (ii0), IV(iv), and V Triads and Inversions<H3>Harmony 5B Chords in Music Literature: I(i), ii(ii0), IV(iv) and V Triads<H3>Harmony 5C Harmonic Rhythm and Nonharmonic Tones<H3>Harmony 5D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases<H3>Harmony 5E Error Detection: Single Triads in Four Parts<H3>Rhythm 5A Rhythmic Dictation: Introduction to Quarter- Beat Values<H3>Rhythm 5B Error Detection: Quarter-Beat Values<H2>Unit 6<H3>Melody 6A Melodic Dictation: Intervals of a 7th<H3>Melody 6B Error Detection: Schubert Melodies<H3>Melody 6C Melodic Figure Identification: Sequence, False Sequence, and Rhythmic Repetition<H3>Melody 6D New Intervals: m7 and M7<H3>Melody 6E Models and Embellishments: 7-3 Pattern in Two Voices<H3>Harmony 6A Chord Function Identification: I, ii, IV, V, and vi Triads<H3>Harmony 6B Chords in Music Literature: Emphasis on ii, IV, and vi<H3>Harmony 6C Nonharmonic Tones: Four-Voice Examples<H3>Harmony 6D Harmonic Dictation: The I(i), ii(ii0), IV (iv) and V Triads in Chorale Phrases<H3>Harmony 6E Error Detection: Triads in Fourt Parts<H3>Rhythm 6A Rhythmic Dictation: Quarter-Beat Values<H3>Rhythm 6B Error Detection: Triplet Figures<H2>Unit 7<H3>Melody 7A Melodic Dictation: Two-Phrase Melodies<H3>Melody 7B Error Detection: Handel Melodies<H3>Melody 7C Melodic Figure Identification: Melodic Devices<H3>Rhythm 7D Intervals: All Diatonic Intervals<H3>Melody 7E Models and Embellishments: Cadence Formulas in Two Voices<H3>Harmony 7A Chord Function Identification: I(i), ii (ii0), iii(III,III+) IV(iv), V, and vi(VI) Triads<H3>Harmony 7B Chords in Music Literature: Emphasis on iii and vi<H3>Harmony 7C Harmonic Rhythm and Harmonic Analysis: I, ii, IV, V, and vi Triads<H3>Harmony 7D Harmonic Dictation: I(i), ii(ii0), IV(iv), V, and vi(VI) Triads in Chorale Phrases<H3>Harmony 7E Error Detection: Triads in Four Parts<H3>Rhythm 7A Rhythmic Dictation: Quarter-Beat Values<H3>Rhythm 7B Rhythmic Dictation: Beat Units Divided into Triplets<H2>Unit 8<H3>Melody 8A Melodic Dictation: Melodies with Larger Leaps<H3>Melody 8B Error Detection: Franck Melodies<H3>Melody 8C Harmonic Rhythm, Harmonic Analysis, Sequences, Phrase Relationships, and Cadences<H3>Melody 8D Intervals: All Diatonic Intervals<H3>Melody 8E Models and Embellishments: 5-6 Patterns in Three Voices<H3>Harmony 8A Chord Function Identification: Diatonic Triads (Major Mode)<H3>Harmony 8B Chords in Music Literature: All Triads<H3>Harmony 8C Nonharmonic Tones: Bach Chorales (1)<H3>Harmony 8D Harmonic Dictation: I(i), ii, IV(iv), V, vi (VI), and Vii0 Triads in Chorale Phrases<H3>Harmony 8E Error Detection: Triads in Four Parts<H3>Rhythm 8A Rhythmic Dictation: Quarter-Beat Values<H3>Rhythm 8B Error Detection: Quarter-Beat Values<H2>Unit 9<H3>Melody 9A Melodic Dictation: Short Melodies from Music Literature<H3>Melody 9B Error Detection: Bach Melodies<H3>Melody 9C Melodic Dictation: Two-Part Dictation<H3>Melody 9D Intervals: Harmonic Intervals of the m3, Tritone, P5, m6, M6, m7<H3>Melody 9E Models and Embellishments: Descending First Inversion Triads<H3>Harmony 9A Chord Function Identification: Six-Four Chords<H3>Harmony 9B Chords in Music Literature: Six-Four Chords<H3>Harmony 9C Harmonic Rhythm and Harmonic Analysis of Folk Melodies<H3>Harmony 9D Harmonic Dictation: All Diatonic Triads in Chorale Phrases<H3>Harmony 9E Error Detection: Triads in Four Parts<H3>Rhythm 9A Rhythmic Dictation: Compound Meters with Quarter-Beat Values<H2>Unit 10<H3>Melody 10A Melodic Dictation: Sequences<H3>Melody 10B Error Detection: Themes from Music Literature Lacking Accidentals<H3>Melody 10C Two-Voice Dictation<H3>Melody 10D Intervals: All Intervals Played Harmonically<H3>Melody 10E Models and Embellishments: 7th Chord Patterns in Three Voices<H3>Harmony 10A Chord Function Identification: Dominant 7th Chords<H3>Harmony 10B Chords in Music Literature: Dominant 7th Chords (All Inversions)<H3>Harmony 10C Nonharmonic Tones: Bach Chorales (2)<H3>Harmony 10D Harmonic Dictation: The Dominant 7th Chord in Chorale Phrases<H3>Harmony 10E Error Detection: Triads or Dominant 7th Chords<H3>Rhythm 10A Rhythmic Dictation: Triple and Triplet Subdivisions<H3>Rhythm 10B Rhythmic Dictation: Two-Voice Rhythms<H2>Unit 11<H3>Melody 11A Melodic Dictation: Short Melodies That Modulate to Closely Related Keys<H3>Melody 11B Error Detection: Excerpts from Music Literature<H3>Melody 11C Phrase Relationships and Cadences<H3>Melody 11D Intervals: All Intervals Played Harmonically<H3>Melody 11E Models and Embellishments: Chord Progression with Melodic Embellishments<H3>Harmony 11A Chord Function Identification: vii07 (Deminished 7th Chord)<H3>Harmony 11B Chords in Music Literature: vii07 (Diminished 7th Chord)<H3>Harmony 11C Aural Analysis: Aspects of Two-Phrases That Modulate<H3>Harmony 11D Harmonic Dictation: Chorale Phrases That Modulate<H3>Harmony 11E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th Chords<H3>Rhythm 11A Rhythmic Dictation: The Quartolet<H3>Rhythm 11B Error Detection: More Difficult Rhythmic Errors<H2>Unit 12<H3>Melody 12A Melod
ic Dictation: Modulations to Closely Related Keys<H3>Melody 12B Error Detection: Two-Voice Compositions<H3>Melody 12C Binary, Rounded Binary, and Three-Part Form<H3>Melody 12D Interval Dictation: Two Intervals in Succession<H3>Melody 12E Models and Embellishments: I-V-I Progression with Melodic Embellishments<H3>Harmony 12A Chord Function Identification: Nondominant 7th Chords<H3>Harmony 12B Chords in Music Literature: Nondominant 7th Chords<H3>Harmony 12C Aural Analysis: Harmonic and Melodic Relationships in Musical Periods from Haydn Sonatas<H3>Harmony 12D Harmonic Dictation: Modulations to Closely Related Keys<H3>Harmony 12E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th Chords<H3>Rhythm 12A Rhythmic Dictation: Eighth-Beat Values<H3>Rhythm 12B Error Detection: Eighth-Beat Values<H2>Unit 13<H3>Melody 13A Melodic Dictation: Modulation in Two-Phrase Periods<H3>Melody 13B Error Detection: Brahms Melodies<H3>Melody 13C Binary, Rounded, Binary, and Three-Part Form<H3>Melody 13D Interval Dictation: Two and Three Intervals in Succession<H3>Melody 13E Models and Embellishments: I-V-I Progression with Diatonic Melodic Embellishments<H3>Harmony 13A Chord Function Identification: Secondary Dominants of V and ii<H3>Harmony 13B Chords in Music Literature: Secondary Dominants of ii, IV, and V<H3>Harmony 13C Aural Analysis: Key, Phrase, and Cadence Relationships in Musical Excerpts<H3>Harmony 13D Harmonic Dictation: Chorale Phrases Containing 7th Chords<H3>Harmony 13E Error Detection: Triads and 7th Chords<H3>Rhythm 13A Rhythmic Dictation: Introduction to the Supertriplet<H3>Rhythm 13B Error Detection: Eighth-Beat Values<H2>Unit 14<H3>Melody 14A Melodic Dictation: Modulation in Two-Phrase Melodies<H3>Melody 14B Error Detection: Excerpts from Music Literature<H3>Melody 14C Mode Identification: Dorian, Phrygian, Lydian, and Mixolydian Modes<H3>Melody 14D Interval Dictation: Three Intervals in Succession<H3>Melody 14E Models and Embellishments: I-V-I Progression with Chromatic Melodic Embellishments<H3>Harmony 14A Chord Function Identification: Secondary Dominants of IV(iv) and vi(VI)<H3>Harmony 14B Chords in Music Literature: Secondary Dominants and Leading Tone Chords of iii and IV<H3>Harmony 14C Aural Analysis: Four-Phrase Excerpt from a Beethoven Piano Sonata<H3>Harmony 14D Harmonic Dictation: Chorale Phrases Containing Secondary Dominants <H3>Harmony 14E Error Detection: Triads and 7th Chords<H3>Rhythm 14A Rhythmic Dictation: Subtriplet in Simple and Compound Meter<H3>Rhythm 14B Error Detection: Subtriplet in Simple and Compound Meter<H2>Unit 15<H3>Melody 15A Melodic Dictation: Nondiatonic Tones<H3>Melody 15B Error Detection: Five Note Melodic Figures<H3>Melody 15C Mode Identification: Dorian, Phrygian, Lydian, Mixolydian and Aeolian Modes<H3>Melody 15D Interval Dictation: Adding Proper Accidentals to Modal Melodies<H3>Melody 15E Models and Embellishments: Harmonic Structure with Melodic and Harmonic Embellishments<H3>Harmony 15A Chord Function Identification: All Secondary Dominants<H3>Harmony 15B Chords in Music Literature: All Secondary Dominants and Leading Tone Chords<H3>Harmony 15C Aural Analysis: Phrase, Key, Cadence, and Harmonic Relationships in a Five-Phrase Excerpt from a Beethoven Piano Sonata<H3>Harmony 15D Harmonic Dictation: Modulation in Chorale Phrases<H3>Harmony 15E Error Detection: Triads and 7th Chords<H3>Harmony 15F Identifying Modulations to Closely Related and Foreign Keys<H3>Rhythm 15A Rhythmic Dictation: More Difficult Rhythms<H3>Rhythm 15B Error Detection: More Difficult Rhythmic Errors<H2>Unit 16<H3>Melody 16A Melodic Dictation: Nondiatonic Tones<H3>Melody 16B Error Detection: Short Melodic Segments Based on Intervals<H3>Melody 16C Melodic Dictation: Typical Blues Figures<H3>Melody 16D Interval Dictation: Two-Voice Modal Compositions<H3>Melody 16E Models and Embellishments: Harmonic Structure with Melodic and Harmonic Embellishments<H3>Harmony 16A Chord Function Identification: German and French Augmented 6th Chords and the Neapolitan 6th Chords<H3>Harmony 16B Chords in Music Literature: Neapolitan 6th Chords and Augmented 6th Chords<H3>Harmony 16C Aural Analysis: Binary, Rounded Binary, and Three-Part Forms<H3>Harmony 16D Harmonic Dictation: Chorale Phrases Containing Neapolitan 6th and Augmented 6th Chords<H3>Harmony 16E Error Detection: Triads and 7th Chords <H3>Rhythm 16A Rhythmic Dictation: Changing Meters<H3>Rhythm 16B Error Detection: Review