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History of Japanese Art after 1945

Institutions, Discourse, Practice

Specificaties
Gebonden, 400 blz. | EN
Leuven University Press | 1e druk, 2023
ISBN13: 9789462703544
Rubricering
Hoofdrubriek : Kunst en cultuur
Leuven University Press 1e druk, 2023 9789462703544
€ 31,50
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Samenvatting

'History of Japanese Art after 1945' is a compilation of essays that surveys the development of art in Japan since WWII. The original Japanese work, which has become essential reading for those with an interest in modern and contemporary Japanese art and is a foundational resource for students and researchers, spans a period of 150 years, from the 1850s to the 2010s. Each chapter is dedicated to a specific period and written by a specialist.

The English edition first discusses the formation and evolution of Japanese contemporary art from 1945 to the late 1970s, subsequently deals with the rise of the fine art museum from the late 1970s to the 1990s, and concludes with an overview of contemporary Japanese art dating from the 1990s to the 2010s.

These three parts are preceded by a new introduction that contextualizes both the original Japanese and the English editions and introduces the reader to the emergence of the concept of art (bijutsu) in modern Japan. This English-language edition provides valuable reading material that offers a deeper insight into contemporary Japanese art.

With an introduction by Kajiya Kenji.

Specificaties

ISBN13:9789462703544
Taal:EN
Bindwijze:gebonden
Aantal pagina's:400
Druk:1
Verschijningsdatum:6-3-2023
Hoofdrubriek:Kunst en cultuur

Inhoudsopgave

TRANSLATION CREDITS

NOTES ON THE TRANSLATION

INTRODUCTION TO THE ENGLISH EDITION
KAJIYA KENJI

CHAPTER 1.
THE FORMATION AND EVOLUTION OF JAPANESE CONTEMPORARY ART [GENDAI BIJUTSU]: 1945 TO THE EARLY 1970S
MITSUDA YURI
Introduction: The Formation and Evolution of Japanese Contemporary Art
Section 1. The Inception of “Contemporary Art”: The 1955 System of Art (1945–54)
Section 2. The Era of “Contemporary Art”: Anti-Art (1955–64)
Section 3. The Evolution of “Contemporary Art”: Dismantlement and Reincarnation (1965–74)
Notes

CHAPTER 2.
THE AGE OF THE FINE-ART MUSEUM: THE LATE 1970S TO THE 1990S
KITAZAWA NORIAKI
Introduction: Institutions and Alternatives
Section 1. Fine Art’s “Conservative Revolution” and the New Wave: The Mid-1970s to the Early 1990s
Section 2. The Rise of Neo-Pop: The “Modern Art” of the 1990s

CHAPTER 3.
THE END OF “ART”: THE 1990S TO THE 2010S
KURESAWA TAKEMI
Introduction: After the Postmodern—Art after the 1990s
Section 1. Formation of New Spaces [Genba] and Institutions [Seido]—The 1990s
Section 2. After “Art”: The 2000s to the 2010s
Notes

BIBLIOGRAPHY
INDEXES
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