Emotions in Contemporary TV Series

<p>List of Figures<br/>Notes on Contributors<br/>Introduction; Alberto N. García<br/>PART I: THEORETICAL AND GENERAL APPROACH<br/>1. Emotional Culture and TV Narrative; Alejandro García and Ana Marta González<br/>2. The Emergence of 'Affect' in Contemporary TV Fictions; Robin Nelson<br/>3. Moral Emotions, Antiheroes and the Limits of Allegiance; Alberto N. García <br/>4. Group Empathy? A Conceptual Proposal, Apropos of Polseres Vermelles; Héctor Pérez López<br/>PART II: COLLECTIVE IDENTITIES AND EMOTIONS<br/>5. Women, Television and Feelings: Theorizing Emotional Difference of Gender in SouthLAnd and Mad Men; Elke Weismann<br/>6. A Revolution in Urban Lifestyle: Mad Men's Narrative Revisited as a Social Lab; Lourdes Flamarique<br/>7. Performing Englishness: Postnational Nostalgia in Lark Rise to Candleford and Parade's End; Rosalía Baena<br/>8. Nordic Noir Location, Identity and Emotion; Gunhild Agger<br/>PART III: GENRE AND EMOTIONS<br/>9. Loss is Part of the Deal: Love, Fear and Mourning in TV Horror; Stacey Abbott<br/>10. Apocalyptic Psycotherapy: Emotion and Identity in AMC's The Walking Dead; Kyle W. Bishop<br/>11. Homeland: Fear and Distrust as Key Elements of the Post-9/11 Political-Spy Thriller; Pablo Echart and Pablo Castrillo<br/>12. Emotions in Star Trek and Battlestar Galactica: What Makes us Human; Claudia Wassmann<br/>Notes<br/>Bibliography<br/>Index<br/></p>