Performance Cultures as Epistemic Cultures, Volume I

• This book investigates performances as relational “machineries of knowing,” which are situated within—and actively contributing to the dynamic formation of—performance cultures as distinctive yet interconnected “epistemic cultures”..

• Would be recommended reading for researchers, students and practitioners of theater, performance and dance across the globe.

• The closest competitors do not investigate performance cultures—in their global plurality and diversity—as distinctive environments of knowledge practice.