Foreword. <strong>I: The State of Research. 1.</strong> On the Subject. <strong>2.</strong> The Echoes in Scholarship and Cultural History. <strong>3.</strong> Reflections on the Scholarly Perspective. <strong>II: On the Lyric Activity of the Authors. 1.</strong> The Chartist and Poet. <strong>2.</strong> The Character of the Poetry in Outline. <strong>3.</strong> Motivation from Without and Within. <strong>4.</strong> The Conditions of Production. <strong>5.</strong> The Practice of Reception. <strong>III: Examinations into Chartists Poetry. 1.</strong> Guidelines of Method. <strong>2.</strong> Realistic Poetry. <strong>3.</strong> Political Poetry. <strong>3.1.</strong> The Nucleus, or, the Programmatic Verse. <strong>3.2.</strong> Satires. <strong>3.</strong> Prison Poems. <strong>IV: Concluding Outlook on the Concept of Poetry. 1.</strong> Analytic Findings. <strong>2.</strong> Another Approach to Chartist Language. <strong>3.</strong> On the Problem of Literary Tradition. <strong>4.</strong> Chartists Voices on Poetics. <strong>5.</strong> Between the Romantic and the Victorian Era. <strong>VI: Documentation to the Poetry of the</strong> <strong>Chartist Movement. Appendix:</strong> Table of Texts. Bibliography.<br/>