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The Invention of the Western Film

A Cultural History of the Genre's First Half Century

Specificaties
Paperback, 412 blz. | Engels
Cambridge University Press | 2003
ISBN13: 9780521555814
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Cambridge University Press e druk, 2003 9780521555814
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Samenvatting

The Invention of the Western Film ranges across literature, visual arts, social history, ideology, and legend to provide, for the first time, an in-depth exploration of the early Western, from short kinetoscopes of the 1890s through 'classic' features of the 1940s. By examining the American Indian's rise and demise during the silent era, B-Westerns of the 1930s, and film noir-influenced Westerns of the 1940s, Scott Simmon's pioneering study silhouettes the genre's evolution against a myriad of cultural forces. This lively, encyclopedic book revitalizes familiar Western icons John Wayne and John Ford, and recovers forgotten masterworks from the Western film's formative years.

Specificaties

ISBN13:9780521555814
Taal:Engels
Bindwijze:Paperback
Aantal pagina's:412

Inhoudsopgave

Part I. 'My Friend, the Indian': Landscape and the Extermination of the Native American in the Silent Western: 1. Indians to the rescue; 2. The eastern Western; 3. Our friends, the Indians; 4. The death of the Western, 1911; 5. The far-Western; 6. Wars on the plains; 7. The politics of landscape; 8. Pocahontas meets Custer: The Invaders; 9. 'No Indians wanted'; 10. The west of the Mohicans; 11. Desert places; Part II. 'It's Time for Your History Lesson, Dear': John Wayne and the Problem of History in the Hollywood Western of the 1930s: 12. The Big Trail and the weight of history; 13. What's the big idea?; 14. Manifestations of destiny; 15. Rambling into Surrealism: the B-Western; 16. 'Don't cry, Pat, it's only a Western': A note on acting; 17. Time, space, and the Western; Part III. 'That Sleep of Death': John Ford and the Darkness of the Classic Western in the 1940s: 18. My Darling Clementine and the fight with Film Noir; 19. Out of the past; 20. 'Shakespeare? In Tombstone?'; 21. 'Get outa town and stay out'; 22. 'A lot of nice people around here'; 23. 'Who do we shoot?'; 24. The revenge of Film Noir; 25. The return of the Earps; 26. Ford, Fonda, and the death of the classic Western.
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        The Invention of the Western Film